His chemistry with alcohol clicks in seconds as the narrative takes us through a journey of solitude, love and stabbing memories.
PaavaadaĪn unconventional plot which paved way for Prithviraj to portray the ever besotted ‘Joy’ on screen. It cannot be recommended for people looking for an hour of a smooth, simple narrative ride, because it offers a bumpy one that is worth going through as it resolves into giving us a sense of triumph in the iconic last scene. More than exploring how unleashing anger shafts at people can affect someone’s life and relationships, the director crafts a deceptive plot that brings about unfathomable rage into each of the viewer’s minds as he introduces and carefully plans characters merely existing to suck out the anger monsters in each one of us. It enthralls the audience with agitating moments and crawls under our skins serving justice to the well thought out title ‘Kali’ which literally means ‘Rage’. Watch it over the weekend, probably on a Friday when you know you need to have some well deserved fun time. Sailing out to basic plot needs involving love, rejection and life struggles, the film gracefully carries a humor packed narrative sneaking up with funny cultural references and self depreciative jokes.
The film explores a friendship chord between an aspiring actor who runs on low self-esteem and his riksha driver friend who fuels enough motivation into his friend in spite of unfavorable circumstances. Falling into the ever familiar ‘out right funny’ genre, the film helps ease the Malayalee nerves with a touch of ‘Dileep’ flavored humor. 2016 had its unique take on humor with this one.
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